Dome-living was adapted to an African safari concept for The Highlands camp overlooking the exceptional Ngorongoro Crater in Tanzania. The design proved to be an innovative solution for building a camp in a conservation area that prohibits any permanent structures. The domes also happen to mirror the shape of the traditional Maasai bomas of the surroundings. The eight igloo-like structures are effective at retaining heat for the cold nights at The Highlands. The weather was inspiration for the materials like sheep skin and faux furs used throughout the interiors and the fireplaces in every room. Cow skins on the floors are a nod to the Maasai herders of the area. As the terrain is reminiscent of the Scottish Highlands, tartan in lilac and scarlet was widely used to add a pop of colour and style. The plaid is also a link to the traditional shuka worn by the Maasai.
One of the activities offered by The Highlands is an excursion to a neighbouring village to meet local people. South African fine art photographer Graham Springer was commissioned to shoot portraits of local women in traditional dress and adorned in jewellery. Printed in black and white, the contemporary artworks are displayed in the bedrooms, adding to the high-style feel of the rooms as well as connecting the lodge to its larger context.
